From the works of Olga Belopitova, the pattern and technique emerge that accompany every composition, where we see the female pathos, merged with strange tonality of consoled chromatism. The artist’s temperament is reflected also in the metaphysical accentuated compositions like in the work entitled ‘The Empty Hourglass’. Even in the figures made from a combination of strong colours the artist is expressing the people of her country bordering the east and its culture.’ Fenenna Bartolomei, La Nazione, January 20, 1978